But you said I dont know, I just happened to be I saw you again today. Poems all come to me differently. We have never been exiled. beneath us, and I was just Im Krista Tippett, and this is On Being. Come back, You boiled it down. I think there was also he also was a singer, so he would just sing. I think thats something we didnt know how to talk about. Krista Tippett (2) Rsultats tris par. Its still the elements. bliss before you know abundance? But in reality its home to so many different kind of wildlife. And Im not sure Ive had a conversation across all these years that was a more unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief. And then to do it on top of really global grief, that is a very kind of different work because then you think, Well, who am I to look at this flower? Sometimes youre, and so much of its. Its the , Limn: We literally. I wrote it and then I immediately sent it to an editor whos a friend of mine and said, I dont know if you want this. And it was up the next day on the website. Im so excited for your tenure representing poetry and representing all of us, and Im excited that you have so many more years of aging and writing and getting wiser ahead, and we got to be here at this early stage. the trash, the rolling containers a song of suburban thunder. Theres a lot of different People. On Being with Krista Tippett. And that was in shorter supply than one would think. In 2014, Tippett was awarded the National Humanities Medal by U.S. President Barack Obama . She hosted On Being on the radio for about two decades. Im so excited for your tenure representing poetry and representing all of us, and Im excited that you have so many more years of aging and writing and getting wiser ahead, and we got to be here at this early stage. about being fully human this adventure were all on that is by turns treacherous and heartbreaking and revelatory and wondrous. July 4, 2022 9:00 am. And its page six of The Hurting Kind. Krista Tippett; Filtrer Krista Tippett Voir les critres de classement. and the one that is so relieved to finally be home. Because how do we care for one another? Limn: Exactly. All of this, as Dacher sees it now, led him deeper and deeper into investigating the primary experience of awe in human life moments when we have a sense of wonder, an experience of mystery, that transcends our understanding. by being seen. I mean, isnt this therapeutic also for us all to laugh about this now, also to know that we can laugh about it now? Its the thing that keeps us alive. On Being with Krista Tippett. Its wonderful. I wrote in my notes, just my little note about what this was about, recycling and the meaning of it all. I dont think thats . Adventures into what can replenish and orient us in this wild ride of a time to be alive: biomimicry and the science of awe; spiritual contrarianism and social creativity; pause and poetry and more towards stretching into this world ahead with dignity . But I do think youre a bit of a So the thing is, we have this phrase, old and wise. But the truth is that a lot of people just grow old, it doesnt necessarily come with it. Yet whats most stunning is how presciently and exquisitely Ocean spoke, and continues to speak, to the world we have since come to inhabit its heartbreak and its poetry, its possibilities for loss and for finding new life. Join our constellation of listening and living. Yes I am. But I trust those moments. And you could so a lot of what he knew in Spanish and remembered in Spanish were songs. Our conversations create openings. And we all have this, our childhood stories. Subscribe to the live your best life newsletter Sign up for the oprah.com live your best life newsletter Get more stories like this delivered to your inbox Get updates on your favorite . We nurture virtues that build muscle memory towards sustained new realities including generous listening, embodied presence, and transformative relationship across backgrounds and lived experience. I think I enjoy getting older. And whats good for my body and my mental health. All of those things. Many of us were having different experiences. I have people who ask me, How do you write poems? And you talk about process. And also, I read somewhere that Sundays were a day that you were moving back and forth between your two homes, your parents divorced and everybody remarried. So would you read, its called Before, page 46. So can we just engage in this intellectual exercise with you because its completely fascinating and Im not sure whats going on, and Id like you to tell me. Or, Im suffering, or Right. So Im hoping. a certain light does a certain thing, enough But I also feel a little bit out of practice with this live event thing. The one that always misses where Im not. I also think aging is underrated. I was actually born at home. Before the dogs chain. And then in this moment it was we cared for each other by being apart. And honestly, this feels to me like if I were teaching a college class, I would have somebody read this poem and say, Discuss.. Okay. Yeah. A season of big, new, beautiful On Being conversations is here. . But I do think youre a bit of a So the thing is, we have this phrase, old and wise. But the truth is that a lot of people just grow old, it doesnt necessarily come with it. Limn: Yeah, there wasnt a religious practice. And that feels like its an active thing as opposed to a finished thing, a closed thing. No, really I was. Limn: I remember writing this poem because I really love the word lover, and its a kind of polarizing word. And so, its so hard to speak of, to honor, to mark in this culture. And I think for all of us, kind of mark this, which is important. This idea of original belonging, that we are home, that we have enough, that we are enough. Limn: Yes. It was interesting to me to realize how people turned to you in pandemic because of who you are, it sounds like. Yeah. Find Krista Tippett's email address, contact information, LinkedIn, Twitter, other social media and more. And then I would say in terms of the sacred, it was always the natural world. And then thats also the space for us to sort of walk in as a reader being like, Whats happening here? No, theres so much to enjoy. And it was this moment of like, Oh, this is abundance. Yet what Amanda has gone on to investigate and so, so helpfully illuminate is not just about journalism, or about politics. Yeah. I wrote it and then I immediately sent it to an editor whos a friend of mine and said, I dont know if you want this. And it was up the next day on the website. What Amanda has been gathering by way of answers to that question is an extraordinary gift to us all. When you find a song or you find something and you think, This. This means that I am in a reciprocal relationship with the natural world, not that it is my job to be the poet that goes and says, Tree, I will describe it to you.. And the one Id love you to read is Not the Saddest Thing in the World. This is the one where I felt like theres subtlety to it, but you just named so much in there. Wisdom Practices and Digital Retreats (Coming in 2023). Winters icy hand at the back of all of us. This definitely speaks to that. Amidst all of the perspectives and arguments around our ecological future, this much is true: we are not in the natural world we are part of it. And so thats really a lot of how I was raised. Kind of true. with a new hosta under the main feeder. And then Ill say this, that the Library of Congress, theyre amazing, and the Librarian of Congress, Dr. Carla Hayden, had me read this poem, so. red glare and then there are the bombs. Tippett: [laughs] Yeah. Creativity. And also that phrase, as Ive aged. You say that a lot and I would like to tell you that you have a lot more aging to do. This is like a self-care poem. Tippett: A lot of them are in the On Being studio, they come in the mail. But I love it. A special offering from Krista Tippett and all of us at On Being: an incredible, celebratory event listening back and remembering forwards across 20 years of this show in the good company of our beloved friend and former guest, Rev. With an unexpected and exuberant mix of gravity and laughter laughter of delight, and of blessed relief this conversation holds not only what we have traversed these last years, but how we live forward. in the ground, under the feast up above. I cannot reverse it, the record, chaotic track. And then a trauma of the pandemic was that our breathing became a danger to strangers and beloveds. And I love it, but I think that you go to it, as a poet, in an awareness of not only its limitations and its failures, but also very curious about where you can push it in order to make it into a new thing. These, it turns out, are as common in human life globally as they are measurably health-giving and immunity-boosting. Limn: I think its very dangerous not to have hope. But I want you to read it second, because what I found in Bright Dead Things, which was a couple of years before that, certainly pre-pandemic, in the before times, was the way you wrote, a way that you spoke of the same story of yourself. And they would say, I dont want to go to yoga. And I was like, Why? And they said, I just dont want anyone telling me when to breathe.. Just uncertainty is so hard on our bodies. But when we talk about the limitations of language in general, I find language is so strange. She is a former host of the poetry podcast, The Slowdown, and she teaches in the MFA program at Queens University of Charlotte, in North Carolina. Two entirely different brains. Limn: Because I love this poem, and no one has ever asked me to read this poem. Yeah, I think theres so much value in grief. body. Replenishment and invigoration in your inbox. And also that notion and these are other things you said that poetry recognizes our wholeness. And when people describe you as a poet, theyll talk about things about intimacy and emotional sincerity and your observations of the natural world. So its actually about fostering yourself in the sun, in the right place, creating the right habitat. And the next one is Dead Stars. Which follows a little bit in terms of how do we live in this time of catastrophe that also calls us to rise and to learn and to evolve. Easy light storms in through the window, soft, edges of the world, smudged by mist, a squirrels, nest rigged high in the maple. In me, a need to nestle deep into the safekeeping of sky. So I love it when I feel like the conversations Im having start to be in conversation with each other. Limn: And to feel that moment of everyone recognizing what it is to kind of look out for one another and have to do that in the antithesis of who we are, which was to separate. Krista Tippett is a Peabody-award winning broadcaster, National Humanities Medalist, and New York Times bestselling author. But I think you are a prodigy for growing older and wiser. We think time is always time. Every week: practices and goodies to accompany your listen. that sounds like someones rough fingers weaving We point out the stars that make Orion as we take out On Being with Krista Tippett is about focusing on the immensity of our lives. Amanda Ripley began her life as a journalist covering crime, disaster, and terrorism. how the wind shakes a tree in a storm And so much of what were seeing brings us back to intelligence that has always been in the very words we use gut instinct, for instance. Two families, two different And just as there are callings for a life, there are callings for our time. And I was feeling very isolated. Or theres just something happens and you get all of a sudden for it to come flooding back. podcast, this great poetry podcast for a while and. We are located on Dakota land. 1. Musings and tools to take into your week. Theres daytime silent when I stare, and nighttime silent when I do things. Black bark, slick yellow leaves, a kind of stillness that feels, We point out the stars that make Orion as we take out. us, still right now, a softness like a worn fabric of a nightshirt, and what I do not say is: I trust the world to come back. would happen if we decided to survive more? Transcription by Alletta Cooper Krista Tippett: I really believe that poetry is something we humans need almost as much as we need water and air. inward and the looking up, enough of the gun, the drama, and the acquaintances suicide, the long-lost, letter on the dresser, enough of the longing and, the ego and the obliteration of ego, enough, of the mother and the child and the father and the child, and enough of the pointing to the world, weary. , the galley in the mail from Milkweed. We prioritize busyness. We keep forgetting about Antlia, Centaurus, But mostly were forgetting were dead stars too, my mouth is full, of dust and I wish to reclaim the rising, to lean in the spotlight of streetlight with you, toward. KRISTA TIPPETT, HOST: We're increasingly attentive, in our culture, to the many faces of depression and its cousin, anxiety, and we're fluent in the languages of psychology and medication.But depression is profound spiritual territory; and that is much harder . and desperate, enough of the brutal and the border, The original idea, when we say like our, thesis statement, or even when we say like. Tippett: As we turn the corner from pandemic, although we will not completely turn the corner, I just wanted to read something you wrote on Twitter, which was hilarious. Want to Read. And I feel like its very interesting when you actually have to get away from it, because you can also do the other thing where you focus too much on the breath. I have decided that Im here in this world to be moved by love and [to] let myself be moved by beauty. Which is such a wonderful mission statement. I mean, even that question you asked, What am I supposed to do with all that silence? Thats one way to talk about the challenge of being human and walking through a life. Between the ground and the feast is where I live now. That really spoke to me, on my sofa. And poetry, and poetry. And that is so much more present with us all the time. And it feels important to me whenever Im in a room right now and I havent been in that many rooms with this many people sitting close together that we all just acknowledge that even if we all this exact same configuration of human beings had sat in this exact room in February 2020, and were back now, were changed at a cellular level. And I found it really useful, a really useful tool to go back in and start to think about what was just no longer true, or maybe had never been true. thing, forever close-eyed, under a green plant. Tippett: Okay. Just back to this idea that there is this organic automatically breathing thing of which were part, and that we even have to rediscover that. and enough of the pointing to the world, weary Limn: Yeah. Limn: Yeah. We are fluent in the story of our time marked by catastrophe and dysfunction. In fact, my mother is and was an atheist. Limn: Yeah. chaotic track. But time is more spacious than we imagine it to be, and it is more of a friend than we always know. So we have to do this another time. The Fetzer Institute, supporting a movement of organizations applying spiritual solutions to societys toughest problems. Limn: Yeah, I was convinced. Tippett: Yeah. I think this poem, for me, is very much about learning to find a home and a sense of belonging in a world where being at peace is actually frowned upon. for the water to stop shivering out of the the ground and the feast is where I live now. Now, somethings, breaking always on the skyline, falling over. And even as it relieves us of the need to sum everything up. We surface this as a companion for the frontiers we are all on just by virtue of being alive in this time. She loves the ocean. These are heavier, page 86 and page 87. And I think for all of us, kind of mark this, which is important. SHARE. And now Ill just say it again: they are the publisher of the 24th Poet Laureate of the United States. Its almost romantic as we adjust the waxy blue. Flipboard. But I also feel a little bit out of practice with this live event thing. And it felt like this is the language of reciprocity. And I also just wondered if that experience of loving sound and the cadence of this language that was yours and not yours, if that also flowed into this love of poetry. bury yourself in leaves, and wait for a breaking, And its true. We envision a world that is more fluent in its own humanity and thus able to rise to the great challenges and promise of this century. And together you kind of have this relationship. Which I hadnt had before. My body is for me. [audience laughter] And it really struck me that how much I was like, How do I move through this world? Remembering what it is to be a body, I think to be a woman who moves through the world with a body, who gets commented on the body. It wasnt used as a tool. And also that notion and these are other things you said that poetry recognizes our wholeness. And I know that when I discovered it for myself as a teenager that I thought, Oh, this is more like music where its like something is expressing itself to you and you are expressing yourself to it. Its Spanish and English, and Im trying, and Ill look at him and be like, How much degrees is it?, And hes like, Are you trying to ask me what the weather is?. Robin is a botanist and also a member of the Citizen Potawatomi Nation. We touch each other. like water, elemental, and best when its humbled, This might be hard for some of you right here. And then in this moment it was we cared for each other by being apart. The wonder of biomimicry. Because I love this poem, and no one has ever asked me to read this poem. So I think were going to just have a lot of poetry tonight. We can forget this. So that even when youre talking about the natural world: we are of it not in it. the truth is every song of this country And that between space was the only space that really made sense to me. My familys all in California. People will ask me a lot about my process and it is, like I said, silence. A friend on the back of my dads nest rigged high in the maple. And you mentioned that when you wrote this, when was it that you wrote it? Yeah. love it again, until the song in your mouth feels into anothers, that sounds like a match being lit Yeah. Tippett: And we were given to remember that civilization is built on something so tender as bodies breathing in proximity to other bodies. Sometimes it feels like language and poetry, I often start with sounds. creeks, two highways, two stepparents Page 40. cigarette smoke or expertise in recipes or, reading skills. Then three years later, Tippett left American Public Media to create her own production company, Krista Tippett Public Productions, which has aligned with WNYC/New York Public Radio to distribute the show to affiliates nationwide. And enough so that actually, as I would always sort of interrogate her about her beliefs and, Do you think this, do you think that? I think I enjoy getting older. if we declared a clean night, if we stopped being terrified. And the Sonoma Coast is a really special place in terms of how its been preserved and protected throughout the years. So you get to have this experience with language that feels somewhat disjointed, and in that way almost feels like, Oh, this makes more sense as the language for our human experience than, lets say, a news report.. Youre very young. Many have turned to David Whyte for his gorgeous, life-giving poetry and his wisdom at the interplay of theology, psychology, and leadership his insistence on the power of a beautiful question and of everyday words amidst the drama of work as well as the drama of life. Before the road We havent read much from, , which is a wonderful book. I think I trusted its unknowing and its mystery in a way that I distrusted maybe other forms of writing up until then. Dont get me wrong, I do, like the flag, how it undulates in the wind. Many of us were having different experiences. And I want you to read it. Starting Thursday, February 2: three months of soaring new On Being conversations, with an eye towards emergence.

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